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∇∇ Synopsis ∇∇
Sebastián Muro, el director de esta película, empieza a filmar a su padre, Rafa, un extrovertido empresario organizador de eventos, para un ejercicio de la facultad. Hipnotizado por la comodidad y displicencia de su padre frente a la cámara, Sebastián continúa filmándolo sin mucho propósito hasta que, sin quererlo, empieza a contar su propia historia familiar y da con un tema no saldado con su padre: su ausencia de casi una década, cuando Sebastián era niño.
Lanzamiento: 2020-08-20
Duración: (80) minutos
Género: Documental
Estrellas: Nevada Cine
Director:
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Film is a work of art in the form of a series of live images that are rotated to produce an illusion of moving images that are presented as a form of entertainment. The illusion of a series of images produces continuous motion in the form of video. The film is often referred to as a movie or moving picture. Film is a modern and popular art form created for business and entertainment purposes. Film making has now become a popular industry throughout the world, where feature films are always awaited by cinemas.
Films are made in two main ways. The first is through shooting and recording techniques through film cameras. This method is done by photographing images or objects. The second uses traditional animation techniques. This method is done through computer graphic animation or CGI techniques. Both can also be combined with other techniques and visual effects. Filming usually takes a relatively long time. It also requires a job desk each, starting from the director, producer, editor, wardrobe, visual effects and others.
Definition and Definition of Film / Movie
While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films.
Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story.
There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others.
That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful.
❍❍❍ TV MOVIE ❍❍❍
The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.
The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.
❍❍❍ Formats and Genres ❍❍❍
See also: List of genres § Film and television formats and genres
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed]
In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
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"Rafa, su papá y yo" es un film de Sebastián Muro que se presenta en la plataforma Puentes de Cine. Ya está disponible. En la pelíula, Sebastián Muro, el director de esta película, empieza a filmar a su padre, Rafa, un extrovertido empresario organizador de eventos, para un ejercicio de la facultad. El primer largometraje del director Sebastián Muro, donde entrevista a su padre, se podrá ver a través de la plataforma Puentes de Cine. Disponible desde el jueves. "Rafa, su papá y yo", el primer largometraje del director Sebastián Muro se estrenará este jueves a través de la plataforma Puentes de Cine. Se trata de un documental de carácter familiar al que su director presenta como "una película puede funcionar como un espejo para que todos miremos hacia adentro nuestro y de Rafa, su papá y yo (Argentina/2019). Dirección y guion: Sebastián Muro. Edición de diálogos y armado de bandas: Lara Baldino. Montaje: Anita Remón y Julia Strafacce. Mezcla: Camilo Molina. Asesoría de voz en off: Cynthia Edul. Elenco: Rafael Muro, Fabiana Yanun, Andrés Muro, Jaime Muro, Lola El film “Rafa, su papá y yo” se conoce este jueves en el portal Puentes de Cine. La película que dirige Sebastián Muro se podrá ver esta semana con una entrada de 160 pesos. En la propuesta el director comienza a filmar a su padre para un ejercicio de la facultad y termina desandando parte de su historia familiar Dirigida por Sebastián Muro. Rafa, su papá y yo (2020) Director: Sebastián Muro Género: Documental • Duración: 74 minutos • Estreno: 8 de Abril de 2021 • Muro propone un posible espejo familiar con el estreno de "Rafa, su papá y yo" La película que nació como un ejercicio audiovisual le permitió a Sebastián filmar y entrevistar a su padre Rafa Rafa, su papá y yo de Sebastián Muro Sebastián Muro empieza a filmar a su padre, Rafa, para un ejercicio de la facultad hasta que, sin quererlo, empieza a contar su propia historia familiar y da con un tema no saldado con su padre: su ausencia de casi una década cuando Sebastián era niño. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators Sebastián Muro revisa su historia familiar en "Rafa, su papá y yo" “Es una película que los protagonistas son varones, pero todo el tiempo esta cuestionando el lugar que tuvieron como padres, como parejas y ahí puede haber una reivindicación de las figuras de mi madre y de mi abuela”, cuenta a EscribiendoCine. La resignificación de la relación con Rafa su papá, lo lleva a plantearse muchas situaciones y elabora diversas preguntas. Un análisis de la primera infancia de Sebastián. El camino y las búsquedas de espejos con la posibilidad de toparse con recuerdos que a veces no son gratos. Verdades que uno prefiere no escuchar. Rafa, su papá y yo (Argentina/2019). Dirección y guion: Sebastián Muro. Edición de diálogos y armado de bandas: Lara Baldino. Montaje: Anita Remón y Julia Strafacce. Mezcla: Camilo Molina. Asesoría de voz en off: Cynthia Edul. Elenco: Rafael Muro, Fabiana Yanun, Andrés Muro, Jaime Muro, Lola Puentes de Cine - 7 Puntos Crítica de "Rafa, su papá y yo", documental de Sebastián Muro Luego de “55 pastillas", cortometraje que se presentó en la Competencia Orizzonti del 72 Festival Internacional de Venecia, Sebastián Muro debuta con un largometraje documental en primera persona sobre los vínculos entre padres e hijos.
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